Haroon Gunn-Salie is based between Johannesburg and Belo Horizonte and his multidisciplinary practice draws focus to forms of collaboration in contemporary art based on socially engaged dialogue and exchange. Gunn-Salie's work has been included in significant exhibitions: New Museum Triennial - Songs for Sabotage, New Museum (2018), You & I, A4 Arts Foundation (2017), What Remains is Tomorrow, South African Pavilion at La Biennale di Venezia (2015). Solo exhibitions include: On The Line (2016), Mendes Wood DM, and History after apartheid (2015), Goodman Gallery in South Africa.